The Quietus | Features | Rum Music

The Quietus | Features | Rum Music

Francesca Ter-Berg

The week by which I write Rum Music I’m recording the audiobook of my very own e book, shut in a tiny foam-lined studio in a basement alongside the Victoria Embankment, studying that lengthy lists is likely to be enjoyable to write down however are a bitch to learn aloud. I additionally tried to take up a patio within the backyard, which turned out to have one other patio beneath it, which turned out to have one other patio beneath that.

I used to be about able to name Time Staff in to see if geo-phys may verify whether or not the faint rectangle within the center was the stays of an Anderson shelter, however monetary constraints meant we simply ended up digging one medium-sized gap for a flowerbed. The expertise introduced a possible deployment of a metaphor for my listening to and trying to find music this month – one thing one thing excavation, one thing one thing digging, one thing one thing going deep.

Nonetheless, I’m not going to trouble drawing this low-cost hyperlink out, principally as a result of I’ve spent an entire week listening to nothing however my very own voice (the horror) and on account of numerous different recording tasks ‘music’ has needed to be shoehorned into evenings and some crucial journeys on the tube. I’ve not gone deep this month in any respect, I’ve gone shallow and large. I’ve not dug something up, I’ve been the grateful recipient of mailouts and alerts. Regardless of this, I nonetheless really feel like I’ve discovered considered one of my albums of the yr this month in My Bloody Intercourse Celebration Vol.2.

Fast information bulletins about some latest music books which might be on the stack: on the finish of April this massive Don Cherry/Moki Cherry/Organic Music Society tome is out through Clean Kinds. Out already is this biography of Serge Gainsbourg by Jeremy Allen, additionally this memoir on Strange Attractor by Rose Simpson of the Incredible String Band.

Phew/ Kondo Tatsuo/ John Duncan – Backfire Of Joy
(Black Truffle)

Japanese musician Phew, with Kondo Tatsuo and Los Angeles Free Music Society (LAFMS) member John Duncan all worming their manner into my long run reminiscence banks right here via this agglomeration of sound and speech. On ‘Backfire’ Phew lists electrical units she has offered somebody in a dour and oddly Nico-ish patter that can be endlessly ricocheting spherical my head (an electrical plug, an electrical blanket, an electrical bell, an electrical cooker, an electrical kettle, an electrical iron, and many others.), amid the throat-clearing squeaks of Duncan and Kondo. 
This recording was made at a live performance at Hosei College in Tokyo in 1982, on Duncan’s first go to to Japan and the one efficiency by this trio. Story goes that there was a rapport there already although, via the trade of ‘zines, tapes and information that had been taking place between the Japanese underground and the LAFMS.

My Bloody Intercourse Celebration – Vol.2
(Zoomin’ Night time)

Making Gasaneta sound like Steely Dan, My Bloody Intercourse Celebration’s first album, Vol.1, was a tumbling journey via teenage mucking about: some Beatles earworms, a Useless Kennedy’s riff, a rendition of comfortable birthday, and snare drum rolls. It was not even loosely held collectively, was a maddening and charming bounce round a rehearsal house, a pummelling of devices with the primary melody that involves thoughts. I cherished it, so went straight in for Vol.2, on which they appear to have improved, however not an excessive amount of. It opens with a picked riff and a few nice dissonant shredding, however don’t fear, it shortly descends into one thing much less coherent. There’s conventional Chinese language devices just like the pipa, conventional rock components like drums and guitar, samples from TV and a calculator can be listed as being performed. Nonetheless, they appear to be listening to one another extra on Vol.2, and it’s slightly extra composed, with ‘little’ being the operative phrase. ‘Story Of 3AM’ picks out a medley on bass, that begins with the intro to ‘Sir Duke’, adopted ‘The Means You Look Tonight’, ‘Ought to I Keep Or Ought to I Go’ and ‘Stroll On The Wild Aspect’. What MBSP do shouldn’t be collage and it’s not sampling – it’s a mnemonic journey via teenage minds, with a hungry slurping-up of tradition which is then spat out into idiosyncratic assemblages. I presume it’s improvised, in any other case they’ve made the following Trout Masks Duplicate. They’ve turn into considered one of my favorite bands, and probably the most requested tapes on this home.

Etherwink & Larwott – Musik Från Bråna
Etherwink & Larwott – Musik Vid Havet
Etherwink & Larwott – Lagereldsmusik
(Tin Can Music)

Purchased three of those CD-Rs by Etherwink & Larwott from Discreet in Gothenberg, however want I’d purchased the entire set. These seize “impressions and inspiration of issues that may occur within the space of my summer time cottage in Dalsland, Sweden” (Musik Från Bråna) “issues that may occur round a campfire” (Lagereldsmusik) “issues that may occur by the ocean and its neighborhood” (Musik Vid Havet). There’s additionally a fourth – Musik I Någon Stad, from the western central metropolis of Gothenburg Sweden. These recordings are impressionistic and minimal of their means. I like the menacing motif and birdsong that opens Musik Från Bråna as a result of it sounds extra like an organ than a guitar; the lo-fi shoegazey really feel to a few of Lägereldsmusik; the heaviness to Musik Vid Havet. There’s one thing of an early 00s people underground really feel to it, however with out the heavy psychedelic edge – moments of Jackie-O-Motherfucker or Charalambides unplugged, maybe, however mixed with one thing like Jon Collin’s guitar music and Poul Gernes’ organ LP. No matter it’s reminding me of, these diversions have been second solely to MBSP on the lounge stereo this month.

Francesca Ter-Berg – In Eynem
(Phantom Limb)

The subsequent in a string of fantastic cello-rooted albums, this eerie small-album suite of items by Francesca Ter-Berg has a way of levitating above and across the materials world. These items are maybe finest triangulated by different latest (glorious) strings-based information: by the story-telling of Silvia Tarozzi within the hyperlinks to track, the locations which might be current in cellist Leila Bordreuil’s work, and the wealthy dynamics Lori Goldston pulls from her solo taking part in. The duvet maybe makes it look a bit ambient (I spit), however what’s on right here by no means approaches that style’s wallpaper-ish tendencies, drawing tunings and songs from Ter-Berg’s research of Klezmer music, together with conventional Yiddish track ‘Oi Ihr Narishe Tsionistn’ and brief Sinti track ‘Me Sunowa’.

John Krausbauer And Kaori Suzuki – Night time Angel Of Twin Infinities
(Beacon Sound)

Within the (Conrad and Cale) philosophy on the core of the Theater Of Everlasting Music, is a dedication to deprogram proprietary composition and the cult of the Western composer. It signifies that actually, we will all be part of the TEM – we will all be a part of the theatre if we so want. Nonetheless, I’m shit at maths and don’t know one microtone from the following, so it’s with happiness I obtained this new launch from composer Kaori Suzuki and violinist John Krausbauer, squarely for TEM followers. I obtained directions to play it loud to be totally consumed and may attest to it needing some vibrational ranges of playback for it to actually unfurl from the wealthy heaviness of the layered drones to a full-on psychedelic cloud of sound. If you happen to can put a purple scarf over the lamp and lie down on the carpet as effectively, issues will solely enhance. Suzuki has the chops for the microtones (as evidenced in her dagger-sharp digital compositions akin to this) and Krausbauer has that Tony Conrad/Henry Flynt fiddle butchery type locked down. I solely want this was longer.

Gavsborg – Home Audio Workstation

Common readers of this column will know I’m an enormous fan of Equiknoxx’s Gavsborg. Right here he’s with a brand new three-track EP of melancholic digi-dubs, hole and lonesome bossa novas. Someplace again within the lineage of those items is a parentage that takes in some esoteric bedroom-made album that has solely ever featured on Mutant Sounds, and Augustus Pablo’s pleasant Rocker’s Come East. It has a type of skinny classic really feel from the keyboard presets that make it sound distant, as if somebody is taking part in to an viewers of none in a lodge bar in Honololu circa 1986. Ambient not within the style sense, however by way of its lightness; the best way it floats on the air.

Beatrice Dillon – 50 Locked Grooves
(Poly Kicks)

Technically one of the best worth report I’ve ever purchased because it has 50 doses of infinite music in its 50 Locked Grooves, and it was about £11. The loops pop and fizzle, gurzl, boing and shimmer. It’s an attention-grabbing artistic problem to make brief loops that work like these do – they should be rhythmic and attention-grabbing, with textures that distract from the repetition. There’s loops which have the metallic chink of a Mark Fell piece; fragments that may very well be from eroded home 12”s; jagged percussive potsherds and whirring machine sounds. Myself and Moats have been seeing how lengthy we will hear to every one earlier than we skip to the following one, and are sitting fortunately at about 20-minutes per loop. The bonus is that the bodily look of the grooves make this a extremely stunning object as effectively.


This wonderful Francis Plagne album, Rural Objects, is out again on LP through Horn Of Plenty. Dean McPhee’s new album, The Witch’s Ladder, has probably the most stunning art work I’ve seen in a very long time, a 1933 portray by Agnes Pelton. Sending a particular spiritualist shout out to McPhee for opening up this wormhole for me.

Source link

Leave a Reply

Your email address will not be published. Required fields are marked *