The best new music: David Gray and Tash Sultana | Times2

David Grey

In a way, David Grey was a sufferer of his personal success. In 2000 the mild electronica of his fourth album, White Ladder, turned as a lot of a cocktail party staple as focaccia and sharing plates; simple listening for the iPod technology.

Since then he has gone more and more down his personal path, resulting in Skellig, an idea album a few group of monks who in 600 AD headed to an uninhabitable rocky outpost off the coast of Eire of their quest to get near God.

Recording in Helmsdale within the Scottish Highlands, Grey evokes a wintry world of “wet nights as black as Guinness” on Dún Laoghaire, whereas elsewhere easy guitar components, mournful violin and a refrain

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