Las Vegas’ Lawn Mower Death Riders mix humor and the macabre

Las Vegas’ Lawn Mower Death Riders mix humor and the macabre

Nathan and Ian Stewart based the Vegas rock band Garden Mower Dying Riders a decade in the past as a method of sharing their appreciation for nation music and horror motion pictures. Ten years and one pandemic later, the brothers have launched their sophomore album, Right here Comes One other One, out now on GC Data.

“Me and Ian, we used to take heed to a variety of punk and steel after we have been youthful, so a few of our bizarre content material comes from the steel facet,” says Nathan, who sings and performs mandolin and guitar. “Our love for horror motion pictures positively comes via, too.”

<em>'Here Comes Another One'</em>

‘Right here Comes One other One’

The band title additionally nods to the brothers’ love of the macabre, as does “deadgrass,” a subgenre coined by Garden Mower Dying Riders to explain their punk-meets-folk sound. (Deadgrass was additionally the title of the band’s 2015 debut LP.)

The Stewarts, who’re joined on the album by bassist Marshall Lytle and drummer Rob Sherwood, say the pandemic has made them extra productive than ever earlier than. Along with the brand new full-length, “we’ve obtained an EP that we’re midway via recording,” Ian says.

Additionally, with exhibits on pause for the foreseeable future, the band says it has been sharpening its social media expertise to remain engaged with listeners. Whether or not they’re posting music or makeshift memes of Man Fieri and Steven Seagal, LMDR goals to make folks giggle throughout occasions of existential disaster.

Lots of the group’s lyrics are about loss of life and dying, Nathan says. One have a look at the tracklist confirms it: “Drive-Feeding Me an Afterlife,” “Comatose Conundrum,” “The Ghost of Turd River” … “I like creating tales,” Nathan says. “I attempt to provide you with considerably of a visible—or the alternative, simply utter nonsense. It’s simpler than writing a ebook or a film.”

The tune “Fistfight With Mommy” options Nathan’s snarky vocals, a bassline paying homage to Van Morrison’s traditional sound and a ferocious mandolin riff. Title apart, it tells a cinematic story with its lush folk-rock instrumentals and vivid lyrics.

“The previous 4 years have been actually bleak,” Ian says. “Our album has a variety of doom and gloom, however that’s why we attempt to make it catchy as nicely. Simply because it’s doom and gloom doesn’t imply you’ll be able to’t faucet your foot to it.”


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