Bandcamp Navigator, March 2021: From French Synth-Punk to Finnish Metalcore

Bandcamp Navigator, March 2021: From French Synth-Punk to Finnish Metalcore


BANDCAMP NAVIGATOR
Bandcamp Navigator, March 2021: From French Synth-Punk to Finnish Metalcore

By

Robert Newsome

·
April 01, 2021

Whats up once more! I used to be speaking to a pal lately about music (which might be 70% of what I speak about, so this shouldn’t be a shock) and the way good it feels when somebody finds one thing they like since you pointed them to it within the first place. It’s an odd sense of accomplishment or achievement, since you didn’t make the music, you didn’t even uncover it, you simply heard it and shared it, but it surely nonetheless feels nice. So let’s hold doing that. Inform all your associates concerning the stuff you like, and pay attention once they inform you the issues they like. It all the time works out nice for everybody concerned. Listed here are some issues I’ve discovered that I like. I hope you want them, too.

Cuir
Album

Cuir, the solo aspect venture of Doug from French Oi!/hardcore band Coupe Gorge, delivers high-energy storage punk with synth accompaniment. Cuir blends the lo-fi aesthetics of early electro-punk acts like Florida’s Futurisk with the pop-punk songcraft of The Epoxies whereas sustaining the grit and aggression of hardcore. As exemplified on standout monitor “Reduce Reduce,” with its staccato riffs and driving drums, Album continues the format established on Cuir’s two previous demos—quick, loud, and enjoyable—though right here, the sound is greater and the synthesizers are extra upfront within the remaining combine. All the things’s higher with synthesizers, and Cuir is comfortable to offer one other piece of supporting proof. 

#Synthpunk is an attention-grabbing tag, cut up between punk bands which have a synthesizer in them and synthesizer bands making music within the punk spirit. Cuir was the primary half of that cut up, and now we’re shifting on to a bunch that embodies the second half.

Half a Twin
Nachtsentenzen

Within the basic ABC after-school particular “The Day My Kid Went Punk,” a traditional, strait-laced youth (he performs within the college orchestra!) decides to change into, because the title suggests, a punk rocker. That is achieved primarily by some hair dye, an earring, and a brand new jacket. The purpose I’m attempting to make right here is that Half A Twin takes the sound of basic synth pop (think about Converse & Spell-era Depeche Mode) and provides it a brand new perspective, however it’s, at its core, nonetheless recognizable. There’s grit and aggression in these tracks (the tension-filled climbing arpeggios and robotic vocals of “Verfallszeit” and fuzzed-out bass synths and piercing siren sounds in “Streuner” are good examples), but it surely’s not so roughed up which you could’t instantly see the danceable pop buildings holding all of it up. 

Half A Twin are from #Germany, a rustic which has given the world so many glorious digital musicians. It’s additionally the house of numerous experimental and progressive rock music, the affect of which is quickly obvious in our subsequent artist.

Tower of Ohm
Demo


. 00:10 / 00:58

The opening jiffy of this demo are simply sufficient time to conjure the ghosts of harder-edged ‘70s prog bands (assume Captain Beyond, The Previous Man and the Sea, or Evening Solar). Then, the blast beats kick in. The crunchy guitar and organ riffs listed below are anchored by booming planet-sized drum machine beats, and for probably the most half, they’re fairly easy prog-style drums, however Tower of Ohm know when to crank up the tempo and throw in somewhat one thing further, whether or not it’s these blast beats or the frenzied home music beats that present up later. The restraint with which these methods are used is what makes it work so properly. This demo retains listeners guessing, and it’s constantly rewarding when the payoff arrives. 

Tower of Ohm make music that positively matches in below the umbrella of recent #psychedelic rock, a style that dates again to the Nineteen Sixties, a time when our subsequent artist was energetic. 

Federal Duck
Federal Duck

Let’s get the apparent out of the way in which first. Federal Duck is the band during which humorist and creator Dave Barry performed guitar within the ’60s. This, their solely recorded output (initially launched on the Musicor label in 1968), doesn’t characteristic Barry, though he’s written at length about enjoying school events with the band. What we now have right here, although, is kind of totally different from Barry’s description of a faculty band enjoying “Louie, Louie” in a dorm. It is a prime instance of kaleidoscopic, Age-of-Aquarius-hippie psychedelic rock. Standout monitor “Tomorrow Waits for As we speak” is the mellowed-out, organ-driven sound of affection beads, fringed vests, and flared denims. As rooted in its time as this report is, it’s aged very properly. The instrumentation is diversified and elegantly performed. The songs are rigorously structured; the album flows languidly by way of a number of totally different musical kinds earlier than ending with the almost-bubblegum-pop-but-not-quite “Circus within the Sea.” They could have began out fumbling by way of cowl songs in school dances, but it surely’s apparent that Federal Duck discovered a factor or two alongside the way in which. 

Most music followers deal with the brand new, which is comprehensible and good. Issues change quick, and when you even faux to care about music of any form, you’ve gotta sustain. It may be overwhelming at occasions. It’s additionally vital to study extra about what’s occurred earlier than that will nonetheless be influencing the brand new sounds you hear. That’s why the #reissue tag is so vital.

Tommy Roe
Sheila & Other Hits

Should you’ve ever listened to “oldies” radio, there’s an excellent likelihood that you simply’ve heard Tommy’s High 10 hit “Candy Pea” with its tight (and reverb-heavy) snare drum and floating Hammond organ melody, and you’ll have heard the infectious “Jam Up and Jelly Tight” on a minimum of a few “The Better of Bubblegum Pop” compilations. Bubblegum is what Tommy Roe does finest (don’t miss his variations of hits by The Ohio Specific and The Archies right here), however that’s not all he’s obtained in his arsenal. “Sheila” is a loving rockabilly-style homage to Buddy Holly, whereas “Cleaning soap Sally” is a cool R&B quantity that has fairly a bit in widespread with the sound of Tommy’s Atlanta up to date Joe South. As for “The Folks Singer,” properly, you may in all probability work out what that one seems like. These 16 songs are a terrific, concise introduction to a spectacular profession that spanned nearly 60 years. 

Tommy Roe is a small a part of the massive cultural affect of #Atlanta on in style music. Just about any style you may think about, there’s a number of artists you’ve heard of inside it who name Georgia’s capital metropolis house. We’re shifting from the ‘60s bubblegum pop of Tommy Roe to a contemporary hip-hop/neo-soul artist. 

Sheriese Nicole
The Rite to Write 

After a quick intro monitor, The Ceremony to Write wastes no time hooking the listener with the hard-hitting “The Therapeutic,” a monitor constructed on booming drums, high-pitched synth melodies, and buzzing sawblade, industrial-style samples. It’s a severe attention-grabber and makes it unimaginable to disregard Sheriese Nicole’s lyrics and move. It’s a robust opening to a robust album, however one which exhibits a captivating selection and depth because it progresses. “God Advanced” layers a jazzy flute and piano loop on high of an irresistible stomp-stomp-clap beat, mixing with Nicole’s vocals to create one thing chic, and that’s earlier than the strings are available to raise it additional. “Drink Yo Smoothie” makes use of a slithering backing monitor that includes distorted electrical guitar which results in a soulfully sung refrain to offer dietary recommendation (there’s even a recipe in there when you want it). This album is a daring assertion from an thrilling new artist.

There’s a lot good things hanging out within the #funk soul tag. You could possibly get misplaced in there for days, and truthfully, these can be some fairly good days. However for the needs of our travels right here, we’ve obtained to decide on one, so we’re going with some glorious mid-‘70s Afrobeat-influenced funk from Louisiana.

Black Blood
Black Blood

Baton Rouge’s Black Blood launched this, their debut album, in 1975. Combining gospel, funk, R&B, Afrobeat, go-go, and disco (in addition to somewhat little bit of Bach’s “Toccata and Fugue in D minor” within the opening monitor), Black Blood feels as contemporary and speedy at the moment because it doubtless did on its launch over 40 years in the past. The report is stuffed with no-nonsense dance-floor-filler beats and stirring vocal performances, however Black Blood are additionally not afraid to gradual the tempo; for instance, the mellow “Mapendoya Faranga (La Faranga),” which opens with a rubbery bass-and-keyboards bounce earlier than bubbly percussion and clean vocal harmonies take part to raise the expertise. It’s the sonic equal of a cool breeze on a sizzling summer time day. Additionally notable is the presence of “A.I.E. (A Mwana),” a music that was lined in 1981 by Bananarama and launched as their first single. 

Typically maligned and misunderstood, #disco doesn’t care. You’ll be able to’t cease it. Positive, it grew to become the butt of one million jokes as soon as upon a time, however the truth that the style’s affect, and, actually, the style itself, has outlasted most, if not all, of these jokers ought to inform you all it’s good to know. Disco is an irresistible power. 

Varied Artists
Silk Road: Journey of the Armenian Diaspora (1971 – 1982)

Compilations like this one will be overwhelming for folks like me who really feel the necessity to hear and recognize all the music ever made. Positive, it’s solely 9 tracks, however these solely scratch the floor of a complete music scene that, if it produced these gems, should absolutely have rather more to supply. Coupled with that’s the vary of time represented right here. Twelve years (when you’re counting inclusively) is a very long time for pop music, and the sounds right here mirror that. Featured right here is folk-influenced goodtime disco music (Jozeph Sefian’s “Karoun E Yegel”) that bears a more-than-passing resemblance to the disco music being produced in Russia throughout this time. Additionally current is Marten Yorgantz’s “Ammenaïn Serdov (De Tout Coeur),” a synth-driven monitor closely harking back to Italo Disco (it even has vocals that remind me of Francesco Salvi’s “Esatto!”). This compilation will hold listeners shifting and (maybe extra importantly) open numerous doorways to additional musical exploration. 

It needs to be no shock to see the #Armenian tag pop up below that final compilation. Whereas the final album we explored centered on Armenian people’s affect on dance and pop music, our subsequent artist takes that very same ingredient and makes it part of a really totally different sound. 

E.A.R.
A æ u å æ ø i æ å, æ i å u å æ ø i æ å?

The hurdy-gurdy has lengthy been a characteristic in heavy music as a part of the various instrumentation favored by people steel bands like Eluveitie or Korpiklaani, however on this album from Spain’s E.A.R., the hurdy-gurdy is pushed to the focal point. Though sustaining a constant exhausting edge, this album follows the path blazed by prog giants Rush and people following within the footsteps of the Canadian masters. Along with the hurdy-gurdy, E.A.R. make use of a Warr guitar, a finger-tapped stringed instrument favored by Behold The Arctopus. The sounds produced vary from the flowing Orb-esque arpeggios of “Kroki na brzegu” to the fast-paced, strong low finish over which the voice of the hurdy-gurdy soars in “Hortus deliciarum 2​.​0.” The various instrumentation right here by no means turns into a distraction or seems like an affectation. The expert gamers in E.A.R. are all in favour of utilizing seemingly incongruous parts to create an attention-grabbing and thrilling listening expertise.

An apparent ingredient of E.A.R.’s sound is #metal, which is all the time an excellent tag to drop in on and see what’s occurring. We’ll finish our travels this time with some loud yelling music. 

Defiant
Kill Your Idols

Frantic and chaotic nearly to the purpose of breathlessness, the most recent launch from what label Bound By Modern Age describes as “Finland’s solely energetic vegan straight edge band” takes the ‘90s European metallic hardcore sound and provides much more aggression and adrenaline. These 11 tracks are unrelenting. Positive, there are the occasional breakdowns, however they serve much less as a focus for Defiant’s songs and extra as a welcome alternative for the listener to catch their breath; a quick interval of much less depth and violence in the midst of, properly, insane quantities of depth and violence. Positive, Defiant’s obtained riffs (take a look at the opening seconds of “Collapse” for a monstrous instance) however these riffs appear merely supplied up as a part of a ritual to deliver on a storm. Kill Your Idols is a cruel maelstrom, assaulting the construction of metallic hardcore and twisting it into a brand new form. 

One other journey is concluded, and one other record of issues to take heed to is generated. Did you discover one thing you’re keen on this time? Did you make notes to your personal travels? One thing I take into consideration typically is the truth that somebody out there’s making music that I’ll completely love, however I haven’t heard it but. I’m going to maintain in search of it. I hope you’ll, too.



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