Album reviews: Flock of Dimes – Head of Roses, and The Snuts – WL

Album reviews: Flock of Dimes – Head of Roses, and The Snuts – WL


Flock of Dimes – Head of Roses

★★★★☆

Baltimore-born, Durham-based singer/songwriter and multi-instrumentalist Jenn Wasner has been concerned in a lot of initiatives which have come to outline 2000s and 2010s indie rock, first with the duo Wye Oak, and later a performing member with Bon Iver and Soiled Projectors. As a solo artist, Wasner goes by Flock of Dimes, and her second full-length outing, Head of Roses, is a triumphant signifier {of professional} and private development.

Showcasing her expansive vary, Head of Roses is ostensibly an exploration of heartbreak. That will sound easy sufficient to some, however Wasner’s textured, otherworldly sounds mirror the complexities inherent to ending – and forging – relationships. Not solely are the compositions wealthy and interesting, however Wasner’s sonic manipulations and crisp manufacturing (partially because of Nick Sanborn of Sylvan Esso, who co-produced) come collectively seamlessly.

Multitudes are actually on the forefront of the upbeat lead single “Two”, which appears at how we reconcile private autonomy with looking for intimacy. Later, on the craving “One Extra Hour”, Wasner explores how a lot simpler it’s to get misplaced in fantasies in regards to the previous and future relatively than face down actuality within the current.

As an artist, Wasner inhabits infinite dimensions – each philosophically and as a composer. Although it encompasses an entire galaxy of observations and sonic constructions, in the end Head of Roses is price getting misplaced in. RB

The Snuts – WL

Typical rocks lads with an adventurous streak

(Press picture)

★★★★☆

You possibly can’t reinvent the wheel, however you may roll it in a special path. So goes the ethos of Glasgow guitar band The Snuts, who seem like your typical rock lads however show, on their debut album WL, that they’re way more adventurous than lots of their friends.

Some songs, like “Glasgow”, do fall into the extra signature tropes of Scottish rock: hovering choruses, rousing guitar solos, anthemic melodies. Others slyly co-opt pop melodies for optimum chart enchantment: the slinky “Elephants” is straight out of the Maroon 5 playbook.

In between, there are nice Arctic Monkeys references on “All Your Buddies”, within the menacing electrical guitar twang, sly bassline and frontman Jack Cochrane’s drawling supply. Earlier on, his gravelly burr is tempered by a chic string part on “High Deck”. “Perhaps California” throws in some Seashore Boys croons, forward of the foot-stomping “Espresso & Cigarettes”.

The album feels dishevelled in locations, leaving you questioning in the event that they’re making an attempt too onerous to tick each field. However many of the dangers the band take repay. A really promising debut. ROC



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